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Art - Wikipedia, the free encyclopedia. This article is about the general concept of art. For the group of creative disciplines, see The arts. For other uses, see Art (disambiguation). Art is a diverse range of human activities in creating visual, auditory or performing artifacts (artworks), expressing the author's imaginative or technical skill, intended to be appreciated for their beauty or emotional power.

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Architecture is often included as one of the visual arts; however, like the decorative arts, or advertising. Music, theatre, film, dance, and other performing arts, as well as literature and other media such as interactive media, are included in a broader definition of art or the arts. In modern usage after the 1. Art may be characterized in terms of mimesis (its representation of reality), expression, communication of emotion, or other qualities.

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During the Romantic period, art came to be seen as . Panorama of a section of A Thousand Li of Mountains and Rivers, a 1. Song dynasty artist Wang Ximeng. In the perspective of the history of art. However, there are many other colloquial uses of the word, all with some relation to its etymology. Artistic works may serve practical functions, in addition to their decorative value. Few modern scholars have been more divided than Plato and Aristotle on the question concerning the importance of art, with Aristotle strongly supporting art in general and Plato generally being opposed to its relative importance.

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Several dialogues in Plato tackle questions about art: Socrates says that poetry is inspired by the muses, and is not rational. He speaks approvingly of this, and other forms of divine madness (drunkenness, eroticism, and dreaming) in the Phaedrus (2. In Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. The dialogue Ion suggests that Homer's Iliad functioned in the ancient Greek world as the Bible does today in the modern Christian world: as divinely inspired literary art that can provide moral guidance, if only it can be properly interpreted.

With regards to the literary art and the musical arts, Aristotle considered epic poetry, tragedy, comedy, dithyrambic poetry and music to be mimetic or imitative art, each varying in imitation by medium, object, and manner. The forms also differ in their object of imitation. Comedy, for instance, is a dramatic imitation of men worse than average; whereas tragedy imitates men slightly better than average. Lastly, the forms differ in their manner of imitation. The creative arts (art as discipline) are a collection of disciplines which produce artworks (art as objects) that are compelled by a personal drive (art as activity) and convey a message, mood, or symbolism for the perceiver to interpret (art as experience). Art is something that stimulates an individual's thoughts, emotions, beliefs, or ideas through the senses.

Works of art can be explicitly made for this purpose or interpreted on the basis of images or objects. For some scholars, such as Kant, the sciences and the arts could be distinguished by taking science as representing the domain of knowledge and the arts as representing the domain of the freedom of artistic expression. Often, if the skill is being used in a common or practical way, people will consider it a craft instead of art.

Likewise, if the skill is being used in a commercial or industrial way, it may be considered commercial art instead of fine art. On the other hand, crafts and design are sometimes considered applied art. Some art followers have argued that the difference between fine art and applied art has more to do with value judgments made about the art than any clear definitional difference. The purpose of works of art may be to communicate ideas, such as in politically, spiritually, or philosophically motivated art; to create a sense of beauty (see aesthetics); to explore the nature of perception; for pleasure; or to generate strong emotions. The purpose may also be seemingly nonexistent. The nature of art has been described by philosopher Richard Wollheim as . Art as mimesis has deep roots in the philosophy of Aristotle.

Collingwood advanced the idealist view that art expresses emotions, and that the work of art therefore essentially exists in the mind of the creator. More recently, thinkers influenced by Martin Heidegger have interpreted art as the means by which a community develops for itself a medium for self- expression and interpretation.