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Emily Dickinson - Poetry Foundation. Emily Dickinson is one of America’s greatest and most original poets of all time. She took definition as her province and challenged the existing definitions of poetry and the poet’s work. Like writers such as Ralph Waldo Emerson, Henry David Thoreau, and Walt Whitman, she experimented with expression in order to free it from conventional restraints. Like writers such as Charlotte Bront.
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The speakers in Dickinson’s poetry, like those in Bront. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. Like the Concord Transcendentalists whose works she knew well, she saw poetry as a double- edged sword. While it liberated the individual, it as readily left him ungrounded. The literary marketplace, however, offered new ground for her work in the last decade of the 1. When the first volume of her poetry was published in 1. Going through eleven editions in less than two years, the poems eventually extended far beyond their first household audiences.
Emily Elizabeth Dickinson was born in Amherst, Massachusetts, on December 1. Edward and Emily (Norcross) Dickinson.
At the time of her birth, Emily’s father was an ambitious young lawyer. Educated at Amherst and Yale, he returned to his hometown and joined the ailing law practice of his father, Samuel Fowler Dickinson. Edward also joined his father in the family home, the Homestead, built by Samuel Dickinson in 1. Active in the Whig Party, Edward Dickinson was elected to the Massachusetts State Legislature (1. Massachusetts State Senate (1. Between 1. 85. 2 and 1.
Massachusetts to the U. S. In Amherst he presented himself as a model citizen and prided himself on his civic work—treasurer of Amherst College, supporter of Amherst Academy, secretary to the Fire Society, and chairman of the annual Cattle Show. Comparatively little is known of Emily’s mother, who is often represented as the passive wife of a domineering husband. Her few surviving letters suggest a different picture, as does the scant information about her early education at Monson Academy. Academy papers and records discovered by Martha Ackmann reveal a young woman dedicated to her studies, particularly in the sciences. By the time of Emily’s early childhood, there were three children in the household. Her brother, William Austin Dickinson, had preceded her by a year and a half.
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Her sister, Lavinia Norcross Dickinson, was born in 1. All three children attended the one- room primary school in Amherst and then moved on to Amherst Academy, the school out of which Amherst College had grown. The brother and sisters’ education was soon divided. Austin was sent to Williston Seminary in 1. Emily and Vinnie continued at Amherst Academy. By Emily Dickinson’s account, she delighted in all aspects of the school—the curriculum, the teachers, the students. The school prided itself on its connection with Amherst College, offering students regular attendance at college lectures in all the principal subjects— astronomy, botany, chemistry, geology, mathematics, natural history, natural philosophy, and zoology.
As this list suggests, the curriculum reflected the 1. That emphasis reappeared in Dickinson’s poems and letters through her fascination with naming, her skilled observation and cultivation of flowers, her carefully wrought descriptions of plants, and her interest in “chemic force.” Those interests, however, rarely celebrated science in the same spirit as the teachers advocated. In an early poem, she chastised science for its prying interests. Its system interfered with the observer’s preferences; its study took the life out of living things. She encouraged her friend Abiah Root to join her in a school assignment: “Have you made an herbarium yet?
I hope you will, if you have not, it would be such a treasure to you.” She herself took that assignment seriously, keeping the herbarium generated by her botany textbook for the rest of her life. Behind her school botanical studies lay a popular text in common use at female seminaries.
Lincoln, Familiar Lectures on Botany (1. Lincoln was one of many early 1. She assured her students that study of the natural world invariably revealed God.
Its impeccably ordered systems showed the Creator’s hand at work. Lincoln’s assessment accorded well with the local Amherst authority in natural philosophy.
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Sweet Dreams (Are Made of This). The song is the title track of their album of the same name and was released as the fourth and final single from the album in early 1. The song became their breakthrough hit, establishing the duo worldwide.
Its music video helped to propel the song to number 2 on the UK Singles Chart and number 1 on the US Billboard Hot 1. It was the first single released by Eurythmics in the US. Following its success, their previous single, . On Rolling Stone's. The 5. 00 Greatest Songs of All Time issue in 2. It re- charted in the UK, reaching number 4. Another remix by Steve Angello was released in France in 2.
Apart from the synthesizer, the arrangement also uses a Movement Systems Drum Computer, a piano in the middle eight, and Lennox's multitracked harmony vocals. Track listings. The video received heavy airplay on the then- fledgling MTV channel and is widely considered a classic clip from the early- MTV era.
The music video begins with a fist (presumably Stewart's) pounding on a table, with the camera panning up to reveal Lennox in a boardroom, with images of a Saturn V launch projected on a screen behind her, which are later replaced by a shot of a crowd walking down a street. Stewart is shown typing on a computer (actually an MCS drum computer). The camera cuts to Lennox and Stewart meditating on the table. Stewart is next shown playing a cello in a field. The scene then returns to the boardroom, with Lennox and Stewart lying down on the table, and a cow walking around them.
Stewart is shown again typing on the computer, with the cow chewing something right next to him. The scene cuts to the duo in a field, with a herd of cows, and Stewart still typing. Lennox and Stewart are then seen floating in a boat, with Stewart again playing cello. The video ends with Lennox lying in bed, with the last shot being a book on a nightstand bearing a cover identical to the album. The screen then fades to black as Lennox turns off the bedside lamp. Lennox's androgynous visual image, with close- cropped, orange- coloured hair, and attired in a man's suit brandishing a cane, immediately made her a household name. Her gender- bending image would be further explored in other Eurythmics videos such as .
A close- up shot of Lennox's lips is occasionally seen in the train car's window as she sings the song. The single entered the UK chart at #6. February 1. 98. 3 and reached number two the following month.
The single debuted at #9. This version became an MTV staple and helped to establish the band in the mainstream. Their groundbreaking video was directed by Dean Karr and produced by Arthur Gorson. It also appears on the band's greatest hits album, Lest We Forget: The Best Of.
This version is featured on the soundtracks to the films Enron: The Smartest Guys in the Room (2. Gamer (2. 00. 9). It is also featured in the films House on Haunted Hill (1. Trick 'r Treat (2. Wrath of the Titans. In Manson's autobiography, The Long Hard Road Out of Hell, he states that Nothing Records did not want to release this as a single. They wanted to release their cover of Screamin' Jay Hawkins' .
In between the clips are a number of surreal shots of Manson wearing a wedding gown, Manson wandering around an abandoned street in a tutu, birds fluttering around him and leaving droppings on his body, and of him riding a pig wearing a cowboy hat and covered with mud. In 2. 01. 0 the music video was rated the . Lonnie Smith released an instrumental cover version on his 2. Rise Up! An early version from 1. Svedozhba. Diesel Disko, a well known Dutch band, covered the song in an Electropop way.
It was their debut single and videoclip. Soul Rebels Brass Band covered the song on their Rounder Records debut record, Unlock Your Mind, released on 3.
January 2. 01. 2, and they performed the song on Later with Jools Holland in 2. Their cover is an instrumental version, where the bandoneon takes the . DJ, Put on the Red Light. The cover was later released on the CD/DVD release of the tour. Tori Amos covered the song live in Boston, Massachusetts while on her Original Sinsuality Tour in 2. The live performance of the song was released on the 1.
Grammy's Greatest Moments Volume I. It was nominated for an Emmy for outstanding choreography. Best Pc Cleaner And Optimizer. The same routine was later used and made slightly longer for the finale of the UK version, danced by Lizzie Gough and Tommy Franzen. The song was used as the theme for NBC's 1.